Submit to Infocalypse Press

You will receive a response within 20 days.

Infocalypse Press is an Associate Member of the Community of Literary Magazines and Presses (CLMP).

We publish an electronic magazine quarterly — with new issues released on January 15, April 15, July 15, and October 15 each year. We remain open to submissions year-round, continuing to read and curate work through every season. We welcome experimental, unconventional, and interdisciplinary work from artists and writers at all stages of their practice.

Submissions to Infocalypse Press are always free, though tips are appreciated to help support our publishing and hosting costs. We accept simultaneous submissions of poetry, fiction, non-fiction, visual art, performance, and hybrid forms, but please notify us promptly if your work is accepted elsewhere. When submitting, you retain all rights to your work. If your piece is selected for publication, you grant Infocalypse Press first online publication rights and permission to archive your work permanently on our site. All rights revert to you upon publication, and you are free to republish your work elsewhere — we only ask that you acknowledge first publication with Infocalypse Press.

Issue One

Submissions for Issue One are now open through our Duosuma portal. There may be a small fee on some platforms to cover processing costs. Issue One launches January 15, 2026, on a new theme exploring RECURSION in creative work. We seek fiction, poetry, essays, multimedia, and visual work that respond to one or more of the following questions:

When you look back, do you feel continuity with your past creative self — or does each era of your work belong to a different person entirely?

Do any classic forms or traditions (poetic, artistic, literary, or otherwise) still shape how you create?

Do you agree that creativity is an act of remixing — that all art is recursive in some way?

How does technology — digital tools, AI, or social media — feed back into your creative process?

Submit via Duosuma

Cover image by Hayley Moore . Used with permission.